5 times Nawazuddin Siddiqui surprised us with unusual roles
Friday, 25 March 2022 (13:16 IST)
Nawazuddin Siddiqui as a king of versatility has always stunned the audience with his performance. The actor has truly excelled in the art of bringing the character to his personality by adding his charm to it. Nawazuddin has primarily made his debut with 1999 released Sarfarosh by playing a small role in the same but then awaited the success ahead, the actor got huge recognition with the release of Gangs of Wasseypur. Moreover, he went on to give tremendous brilliant performances ahead. Let us see some of his offbeat roles where he surprised everyone with his performance.
Thackeray
The actor truly has no competition when it comes to portraying a real-life character and when he made his appearance in the character of late Balasaheb Thackeray he bought the personality of such a profound personality live for the audience.
Manjhi - The Mountain Man
This the actor set ahead to bring a real-life story to the audience. Serving the role of a man, Darsharath Manjhi who carved a path using only a hammer and chisel. The actor literally took up the whole mannerism of the real-life character and his dialogue delivery in his hard voice has just become a trend.
Manto
Bringing up yet another real-life character of prominent Urdu author Saadat Hasan Manto, Nawazuddin proved that he can take up any role into his nerves. Especially the way he narrated the dialogues in a way any author would narrate has made him win 64 Filmfare, the best actor critics award.
Raat Akeli Hai
Yet another award-winning performance by the versatility king for the character of a small-town cop, the actor has given everyone a new face of how a cop would be.
Heropanti 2
And all set to bring a whole new character of 'Laila' in this upcoming film is just above all. Nawazuddin will be seen portraying a unique and different villain personality and since the posters and trailer of the film have been released it has just given a glance into, what the actor has to bring for the audience.